A Modern Book of Esthetics: An Anthology |
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Pagina 295
... with which I feel myself and my subjective states inextricably bound , whenever I stop to contemplate the object . ... take place in the arm , i.e. , it is not tied up with the contemplation of the arm or the contemplated arm .
... with which I feel myself and my subjective states inextricably bound , whenever I stop to contemplate the object . ... take place in the arm , i.e. , it is not tied up with the contemplation of the arm or the contemplated arm .
Pagina 303
my own bodily state are entirely absent in esthetic contemplation . But perchance the sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment . This I must deny no less emphatically ...
my own bodily state are entirely absent in esthetic contemplation . But perchance the sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment . This I must deny no less emphatically ...
Pagina 377
ETHEL D. PUFFER THE ESTHETIC REPOSE Esthetic feeling arises in the contemplation of a beauti- ful object . ... To contemplate an object is to dwell on the idea or image of it , and to dwell upon an idea means to carry it out incipiently ...
ETHEL D. PUFFER THE ESTHETIC REPOSE Esthetic feeling arises in the contemplation of a beauti- ful object . ... To contemplate an object is to dwell on the idea or image of it , and to dwell upon an idea means to carry it out incipiently ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word