A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 193
... course in quite different manipulations from those of the wrought- iron . I suppose its facility of surface , how it lends itself to modeling or to throwing on the wheel , must be its great charm . Now the decorative patterns which are ...
... course in quite different manipulations from those of the wrought- iron . I suppose its facility of surface , how it lends itself to modeling or to throwing on the wheel , must be its great charm . Now the decorative patterns which are ...
Pagina 305
... course we all know that , objects the Reader , and of course no- body imagines that the rock and the earth of the moun- tain is rising , or that the mountain is getting up or growing taller ! All we mean is that the mountain looks as if ...
... course we all know that , objects the Reader , and of course no- body imagines that the rock and the earth of the moun- tain is rising , or that the mountain is getting up or growing taller ! All we mean is that the mountain looks as if ...
Pagina 370
... course , the painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing ...
... course , the painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
12 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words