A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 73
Pagina 260
... created form moves us so profoundly because it expresses the emotion of its creator . If this be so , it will explain that curious but undeniable fact , to which I have already referred , that what I call material beauty ( e.g. , the ...
... created form moves us so profoundly because it expresses the emotion of its creator . If this be so , it will explain that curious but undeniable fact , to which I have already referred , that what I call material beauty ( e.g. , the ...
Pagina 379
... creation is a unity - a perfect whole , re- vealed , as Jean Paul says , in a single movement of genius . Within the enchanted circle of his creation , the thinker is absorbed , because here too all his impulses are turned to one end ...
... creation is a unity - a perfect whole , re- vealed , as Jean Paul says , in a single movement of genius . Within the enchanted circle of his creation , the thinker is absorbed , because here too all his impulses are turned to one end ...
Pagina 414
... created on canvas or in metal mechanical equivalents of organic objects : Léger painted human figures that looked as if they had been turned in a lathe , and Duchamp - Villon modeled a horse as if it were a machine . This whole process ...
... created on canvas or in metal mechanical equivalents of organic objects : Léger painted human figures that looked as if they had been turned in a lathe , and Duchamp - Villon modeled a horse as if it were a machine . This whole process ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word