A Modern Book of Esthetics: An Anthology |
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Pagina 62
At first another distinction might perhaps seem preferable — it is far more obvious — e.g . , the distinction which decides whether a desire for stability , for eternity , for Being , or whether a desire for destruction , for change ...
At first another distinction might perhaps seem preferable — it is far more obvious — e.g . , the distinction which decides whether a desire for stability , for eternity , for Being , or whether a desire for destruction , for change ...
Pagina 75
a a ondary and instrumental to desire - an insight fatal to the absoluteness of " imitation of nature " as a criterion of excellence in art . In the more fundamental sense , imagination exists whenever a desire is satisfied ...
a a ondary and instrumental to desire - an insight fatal to the absoluteness of " imitation of nature " as a criterion of excellence in art . In the more fundamental sense , imagination exists whenever a desire is satisfied ...
Pagina 76
And the satisfaction of the impulse to knowledge belongs as legitimately to art as the satisfaction of any other desire . But it has been the mistake of the intellectualist tradition in esthetics to regard the interest in knowledge as ...
And the satisfaction of the impulse to knowledge belongs as legitimately to art as the satisfaction of any other desire . But it has been the mistake of the intellectualist tradition in esthetics to regard the interest in knowledge as ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |