A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 62
... desire for stability , for eternity , for Being , or whether a desire for destruction , for change , for Becoming , has been the cause of creation . But both kinds of desire , when examined more closely , prove to be ambiguous , and ...
... desire for stability , for eternity , for Being , or whether a desire for destruction , for change , for Becoming , has been the cause of creation . But both kinds of desire , when examined more closely , prove to be ambiguous , and ...
Pagina 74
... desire evokes images in a dream , so does desire create works of art for its appeasement . The imaginative character of beautiful industrial art , of music , of pure color and line art , and of the dance is not so easily discerned ; for ...
... desire evokes images in a dream , so does desire create works of art for its appeasement . The imaginative character of beautiful industrial art , of music , of pure color and line art , and of the dance is not so easily discerned ; for ...
Pagina 75
... desire is satisfied , not through inter- action with the environment in an adaptive fashion , but through activities and experiences conditioned within the organism itself . Now satisfactions of this kind supervene when I listen to a ...
... desire is satisfied , not through inter- action with the environment in an adaptive fashion , but through activities and experiences conditioned within the organism itself . Now satisfactions of this kind supervene when I listen to a ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words