A Modern Book of Esthetics: An Anthology |
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Pagina 62
At first another distinction might perhaps seem preferable - it is far more obvious - e.g . , the distinction which decides whether a desire for stability , for eternity , for Being , or whether a desire for destruction , for change ...
At first another distinction might perhaps seem preferable - it is far more obvious - e.g . , the distinction which decides whether a desire for stability , for eternity , for Being , or whether a desire for destruction , for change ...
Pagina 75
ondary and instrumental to desire - an insight fatal to the absoluteness of " imitation of nature " as a criterion of excellence in art . In the more fundamental sense , imagination exists whenever a desire is satisfied , not through ...
ondary and instrumental to desire - an insight fatal to the absoluteness of " imitation of nature " as a criterion of excellence in art . In the more fundamental sense , imagination exists whenever a desire is satisfied , not through ...
Pagina 76
And the satisfaction of the impulse to knowledge belongs as legitimately to art as the satisfaction of any other desire . But it has been the mistake of the intellectualist tradition in esthetics to regard the interest in knowledge as ...
And the satisfaction of the impulse to knowledge belongs as legitimately to art as the satisfaction of any other desire . But it has been the mistake of the intellectualist tradition in esthetics to regard the interest in knowledge as ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word