A Modern Book of Esthetics: An Anthology |
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Pagina 98
The man intended for science is he whose imagination has no modifying influence over the results of his direct observation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose personality ...
The man intended for science is he whose imagination has no modifying influence over the results of his direct observation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose personality ...
Pagina 291
THEODOR LIPPS EMPATHY , INNER IMITATION , AND SENSE - FEELINGS 1 I direct my attention in the following to empathy in general . What I shall say applies to empathic projection into definite sorts of objects , especially into the ...
THEODOR LIPPS EMPATHY , INNER IMITATION , AND SENSE - FEELINGS 1 I direct my attention in the following to empathy in general . What I shall say applies to empathic projection into definite sorts of objects , especially into the ...
Pagina 406
The machine was a direct expression of its own functions : the first cannon , the first crossbows , the first steam engines were all nakedly built for action . But once the primary problems of organization and operation had been solved ...
The machine was a direct expression of its own functions : the first cannon , the first crossbows , the first steam engines were all nakedly built for action . But once the primary problems of organization and operation had been solved ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole