A Modern Book of Esthetics: An Anthology |
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Pagina 98
The man intended for science is he whose imagination has no modifying influence over the results of his direct ob- servation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose person- ...
The man intended for science is he whose imagination has no modifying influence over the results of his direct ob- servation . The artist , on the other hand , is one whose imagination , impressionability - in a word , whose person- ...
Pagina 291
THEODOR LIPPS EMPATHY , INNER IMITATION , AND SENSE - FEELINGS 1 I direct my attention in the following to empathy in general . What I shall say applies to empathic projection into definite sorts of objects , especially into the ...
THEODOR LIPPS EMPATHY , INNER IMITATION , AND SENSE - FEELINGS 1 I direct my attention in the following to empathy in general . What I shall say applies to empathic projection into definite sorts of objects , especially into the ...
Pagina 406
The machine was a direct expression of its own func- tions : the first cannon , the first crossbows , the first steam engines were all nakedly built for action . But once the primary problems of organization and operation had been ...
The machine was a direct expression of its own func- tions : the first cannon , the first crossbows , the first steam engines were all nakedly built for action . But once the primary problems of organization and operation had been ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word