A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 62
... distinction : in every individual case I ask myself has hunger or has superabundance been creative here ? At first another distinction might perhaps seem preferable - it is far more obvious - e.g . , the distinction which decides ...
... distinction : in every individual case I ask myself has hunger or has superabundance been creative here ? At first another distinction might perhaps seem preferable - it is far more obvious - e.g . , the distinction which decides ...
Pagina 129
... distinction between the two fields in an act of judg- ment . This is an important distinction and must not be lost sight of ; we shall refer to it again . But at this point I wish to refer to one special emphasis considered in the first ...
... distinction between the two fields in an act of judg- ment . This is an important distinction and must not be lost sight of ; we shall refer to it again . But at this point I wish to refer to one special emphasis considered in the first ...
Pagina 169
... distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety - that is to say , the multiple images were to find their common ...
... distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety - that is to say , the multiple images were to find their common ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word