A Modern Book of Esthetics: An Anthology |
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Pagina 62
In regard to all esthetic values I now avail myself of this fundamental distinction : in every individual case I ask myself has hunger or has superabundance been creative here ? At first another distinction might perhaps seem preferable ...
In regard to all esthetic values I now avail myself of this fundamental distinction : in every individual case I ask myself has hunger or has superabundance been creative here ? At first another distinction might perhaps seem preferable ...
Pagina 129
Now if no pleasure of impression can be cut away from the rest and held to be non - esthetic , then it is apparent that the distinction between non - esthetic pleasures and esthetic pleasures cannot arise by difference between pleasures ...
Now if no pleasure of impression can be cut away from the rest and held to be non - esthetic , then it is apparent that the distinction between non - esthetic pleasures and esthetic pleasures cannot arise by difference between pleasures ...
Pagina 169
Old Poetic availed itself above all of the concept of unity , in order to express this distinction between the intuition and imagining , insisting that whatever the artistic work , it should be simplex et unum ; or of the allied concept ...
Old Poetic availed itself above all of the concept of unity , in order to express this distinction between the intuition and imagining , insisting that whatever the artistic work , it should be simplex et unum ; or of the allied concept ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole