A Modern Book of Esthetics: An Anthology |
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Pagina 62
In regard to all esthetic values I now avail myself of this fundamental distinction : in every individual case I ask myself has hunger or has superabundance been creative here ? At first another distinction might perhaps seem preferable ...
In regard to all esthetic values I now avail myself of this fundamental distinction : in every individual case I ask myself has hunger or has superabundance been creative here ? At first another distinction might perhaps seem preferable ...
Pagina 129
This is an important distinction and must not be lost sight of ; we shall refer to it again . But at this point I wish to refer to one special emphasis considered in the first part of this chapter . We there ob- served that a very large ...
This is an important distinction and must not be lost sight of ; we shall refer to it again . But at this point I wish to refer to one special emphasis considered in the first part of this chapter . We there ob- served that a very large ...
Pagina 169
Old Poetic availed it- self above all of the concept of unity , in order to express this distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied ...
Old Poetic availed it- self above all of the concept of unity , in order to express this distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word