A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 169
... distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety - that is to say , the multiple images were to find their common ...
... distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety - that is to say , the multiple images were to find their common ...
Pagina 419
... distinction . In money - ridden societies , where men play with poker chips instead of with economic and esthetic realities , every attempt is made to disguise the fact that the machine has achieved potentially a new collective economy ...
... distinction . In money - ridden societies , where men play with poker chips instead of with economic and esthetic realities , every attempt is made to disguise the fact that the machine has achieved potentially a new collective economy ...
Pagina 463
... distinction is that between bad art and good art , and this distinction , between things that meet the requirements of art and those that do not , applies equally to things of use and of beauty . Capacity to offer to perception meaning ...
... distinction is that between bad art and good art , and this distinction , between things that meet the requirements of art and those that do not , applies equally to things of use and of beauty . Capacity to offer to perception meaning ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words