A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina xxiv
... distinguished from science as a vision of what is unique is distinguished from a summary of what is general . Artists express what is absolutely individual ; unlike the scientists , they are intuitive , not intellectual . The nature of ...
... distinguished from science as a vision of what is unique is distinguished from a summary of what is general . Artists express what is absolutely individual ; unlike the scientists , they are intuitive , not intellectual . The nature of ...
Pagina 141
... distinguished from the perception of beauty , as sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from ...
... distinguished from the perception of beauty , as sensation in general is distinguished from perception ; by the objectification of the elements and their appearance as qualities rather of things than of consciousness . The passage from ...
Pagina 157
... distinguished from sensation , conceptual knowledge , pleas- ure , and practical activity , including morals . Another philosopher of world - wide repute , HENRI BERG- SON ( 1859- ) , has similarly contrasted intellect and in- tuition ...
... distinguished from sensation , conceptual knowledge , pleas- ure , and practical activity , including morals . Another philosopher of world - wide repute , HENRI BERG- SON ( 1859- ) , has similarly contrasted intellect and in- tuition ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word