A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 70
... dream is nothing but a day - dream distorted by the nocturnal form of mental activity and made possible by the nocturnal free- dom of instinctual excitations . We are already familiar with the idea that a day - dream is not necessarily ...
... dream is nothing but a day - dream distorted by the nocturnal form of mental activity and made possible by the nocturnal free- dom of instinctual excitations . We are already familiar with the idea that a day - dream is not necessarily ...
Pagina 74
... dream , within the inner world alone , but lays hold of perceptual objects to serve its ends . These objects are , however , given the same function as images : what the doll is for the child , or the spool for the kitten , the work of ...
... dream , within the inner world alone , but lays hold of perceptual objects to serve its ends . These objects are , however , given the same function as images : what the doll is for the child , or the spool for the kitten , the work of ...
Pagina 233
... dream ; it is for the mo- ment , in fact , his dream . And he can and does remain in the dream because the artist has so fashioned his work that everything there tends to continue and deepen it , and nothing to disturb and interrupt it ...
... dream ; it is for the mo- ment , in fact , his dream . And he can and does remain in the dream because the artist has so fashioned his work that everything there tends to continue and deepen it , and nothing to disturb and interrupt it ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words