A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 186
... effect be in coming , but , on the other hand , the more universal will that effect tend to become . So the universality here lies in the effect produced , and not in the cause . Altogether different is the object of comedy . Here it is ...
... effect be in coming , but , on the other hand , the more universal will that effect tend to become . So the universality here lies in the effect produced , and not in the cause . Altogether different is the object of comedy . Here it is ...
Pagina 190
... effect with causes that are too deep- seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to laugh at it , we must localize its cause in some intermediate ...
... effect with causes that are too deep- seated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to laugh at it , we must localize its cause in some intermediate ...
Pagina 365
... effect with the stone . As soon as we have grasped the deeper meaning of all " analysis " we see that it is inseparable from the study of causes and effects . Description and explanation are not two separate logical tasks , but merely ...
... effect with the stone . As soon as we have grasped the deeper meaning of all " analysis " we see that it is inseparable from the study of causes and effects . Description and explanation are not two separate logical tasks , but merely ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words