A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 66
Pagina 186
The greater the work and the more profound the dimly apprehended truth , the longer may the effect be in coming , but , on the other hand , the more universal will that effect tend to become . So the universality here lies in the effect ...
The greater the work and the more profound the dimly apprehended truth , the longer may the effect be in coming , but , on the other hand , the more universal will that effect tend to become . So the universality here lies in the effect ...
Pagina 190
To penetrate too far into the personality , to couple the outer effect with causes that are too deepseated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to ...
To penetrate too far into the personality , to couple the outer effect with causes that are too deepseated , would mean to endanger and in the end to sacrifice all that was laughable in the effect . In order that we may be tempted to ...
Pagina 365
When he says the water " contains " the salt and the gases , he means that certain processes , for instance evaporation , have the effect of transforming the given substance into such salt and such gases , while nobody could get salt ...
When he says the water " contains " the salt and the gases , he means that certain processes , for instance evaporation , have the effect of transforming the given substance into such salt and such gases , while nobody could get salt ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word