A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 232
... element in a work of art is necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake ...
... element in a work of art is necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake ...
Pagina 236
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satisfactory , for the contrasting elements must offset each other , they must balance . In color , the ...
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satisfactory , for the contrasting elements must offset each other , they must balance . In color , the ...
Pagina 244
... elements in each of these modes . Sometimes , although not always , there is some one element , or there may be more , of a complex work of art which occupies a position of commanding importance there . These elements always embody the ...
... elements in each of these modes . Sometimes , although not always , there is some one element , or there may be more , of a complex work of art which occupies a position of commanding importance there . These elements always embody the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word