A Modern Book of Esthetics: An Anthology |
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Pagina 232
DEWITT H . PARKER BLEM O HETIC RM THE PROBLEM OF Esthetic FORM I
shall try to reduce the general characteristics of esthetic form to their simplest
principles , hoping to provide the elements of what might be called a logic of
esthetic ...
DEWITT H . PARKER BLEM O HETIC RM THE PROBLEM OF Esthetic FORM I
shall try to reduce the general characteristics of esthetic form to their simplest
principles , hoping to provide the elements of what might be called a logic of
esthetic ...
Pagina 236
Balance is equality of opposing or contrasting elements . Balance is one kind of
esthetic unity , for despite the opposition of the elements in balance , each needs
the other and together they create a whole . Thus the blue demands the gold and
...
Balance is equality of opposing or contrasting elements . Balance is one kind of
esthetic unity , for despite the opposition of the elements in balance , each needs
the other and together they create a whole . Thus the blue demands the gold and
...
Pagina 244
Sometimes , although not always , there is some one element , or there may be
more , of a complex work of art which ... These elements always embody the
theme in an emphatic way , and have a significance far greater than any of the
other ...
Sometimes , although not always , there is some one element , or there may be
more , of a complex work of art which ... These elements always embody the
theme in an emphatic way , and have a significance far greater than any of the
other ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |