A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 232
DEWITT H. PARKER THE PROBLEM OF ESTHETIC FORM I shall try to reduce the general characteristics of esthetic form to their simplest principles , hoping to provide the elements of what might be called a logic of esthetic form .
DEWITT H. PARKER THE PROBLEM OF ESTHETIC FORM I shall try to reduce the general characteristics of esthetic form to their simplest principles , hoping to provide the elements of what might be called a logic of esthetic form .
Pagina 236
Balance is equality of opposing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue demands the ...
Balance is equality of opposing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue demands the ...
Pagina 244
Sometimes , although not always , there is some one element , or there may be more , of a complex work of art which ... These elements always embody the theme in an emphatic way , and have a significance far greater than any of the ...
Sometimes , although not always , there is some one element , or there may be more , of a complex work of art which ... These elements always embody the theme in an emphatic way , and have a significance far greater than any of the ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word