A Modern Book of Esthetics: An Anthology |
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Pagina 84
excluded spontaneous expressions of emotion , such as yawning , swearing , laughing , or weeping ; whereas Tolstoy , seeking a more accurate differentia of art , excludes the immediate exhibition of feeling , and includes only the ...
excluded spontaneous expressions of emotion , such as yawning , swearing , laughing , or weeping ; whereas Tolstoy , seeking a more accurate differentia of art , excludes the immediate exhibition of feeling , and includes only the ...
Pagina 246
All sensi- tive people agree that there is a peculiar emotion provoked by works of art . ... But all these emotions are recognizably the same in kind ; so far , at any rate , the best opinion is on my side . That there is a particular ...
All sensi- tive people agree that there is a peculiar emotion provoked by works of art . ... But all these emotions are recognizably the same in kind ; so far , at any rate , the best opinion is on my side . That there is a particular ...
Pagina 260
The forms of art are inexhaustible ; but all lead by the same road of esthetic emotion to the same world of esthetic ecstasy . II The Metaphysical Hypothesis It seems to me possible , though by no means certain , that created form moves ...
The forms of art are inexhaustible ; but all lead by the same road of esthetic emotion to the same world of esthetic ecstasy . II The Metaphysical Hypothesis It seems to me possible , though by no means certain , that created form moves ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word