A Modern Book of Esthetics: An Anthology |
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Pagina 44
1 ܙܕ 8 as the very essence of esthetic enjoyment . In a passage on conscious self - deception he goes still further : “ Artistic enjoyment thus appears as a variable floating condition , a free and conscious movement between ...
1 ܙܕ 8 as the very essence of esthetic enjoyment . In a passage on conscious self - deception he goes still further : “ Artistic enjoyment thus appears as a variable floating condition , a free and conscious movement between ...
Pagina 292
The sensuous appearance of the beautiful thing is certainly the object of esthetic enjoyment , but just as certainly it is not the ground of it . Rather , the cause of esthetic enjoyment is myself , or the ego ; exactly the same ego ...
The sensuous appearance of the beautiful thing is certainly the object of esthetic enjoyment , but just as certainly it is not the ground of it . Rather , the cause of esthetic enjoyment is myself , or the ego ; exactly the same ego ...
Pagina 293
In this sense the question about the object of esthetic enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object ...
In this sense the question about the object of esthetic enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole