A Modern Book of Esthetics: An Anthology |
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Pagina 44
as the very essence of esthetic enjoyment . In a passage on conscious self - deception he goes still further : " Artistic enjoyment thus appears as a variable floating condition , a free and conscious movement between appearance and ...
as the very essence of esthetic enjoyment . In a passage on conscious self - deception he goes still further : " Artistic enjoyment thus appears as a variable floating condition , a free and conscious movement between appearance and ...
Pagina 292
The sensuous appearance of the beautiful thing is certainly the object of esthetic enjoyment , but just as certainly it is not the ground of it . Rather , the cause of esthetic enjoyment is myself , or the ego ; exactly the same ego ...
The sensuous appearance of the beautiful thing is certainly the object of esthetic enjoyment , but just as certainly it is not the ground of it . Rather , the cause of esthetic enjoyment is myself , or the ego ; exactly the same ego ...
Pagina 293
In this sense the question about the object of esthetic enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object ...
In this sense the question about the object of esthetic enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word