A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 149
... essential success . But I confess I am not prepared to hear that such a relatively permanent field of pleasure , without more ado , is the sense of beauty . " Beauty , " the author writes , " is relatively stable , or real pleasure ...
... essential success . But I confess I am not prepared to hear that such a relatively permanent field of pleasure , without more ado , is the sense of beauty . " Beauty , " the author writes , " is relatively stable , or real pleasure ...
Pagina 253
... essential to the appreciation of many great works , since many of the most moving forms ever created are in three dimensions . To see a cube or a rhomboid as a flat pattern is to lower its significance , and a sense of three ...
... essential to the appreciation of many great works , since many of the most moving forms ever created are in three dimensions . To see a cube or a rhomboid as a flat pattern is to lower its significance , and a sense of three ...
Pagina 284
... both tend to suppress an essential factor of the artistic appeal. — The Esthetic Basis of Greek Art of the Fifth and Fourth Centuries B.C. ( 192 1 ) CHAPTER VIII THEORIES OF EMPATHY CHAPTER VIII INTRODUCTORY NOTE An 284 THEORIES OF FORM.
... both tend to suppress an essential factor of the artistic appeal. — The Esthetic Basis of Greek Art of the Fifth and Fourth Centuries B.C. ( 192 1 ) CHAPTER VIII THEORIES OF EMPATHY CHAPTER VIII INTRODUCTORY NOTE An 284 THEORIES OF FORM.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word