A Modern Book of Esthetics: An Anthology |
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Pagina 149
... memory and expectation of those varied pleasures , is certainly the ideal of young life ; even hardship or bereavement might cross such a blue sky without abolishing the steady consciousness of resource and of essential success .
... memory and expectation of those varied pleasures , is certainly the ideal of young life ; even hardship or bereavement might cross such a blue sky without abolishing the steady consciousness of resource and of essential success .
Pagina 253
To see a cube or a rhomboid as a flat pattern is to lower its significance , and a sense of three - dimensional space is essential to the full appreciation of most architectural forms . Pictures which would be insignificant if we saw ...
To see a cube or a rhomboid as a flat pattern is to lower its significance , and a sense of three - dimensional space is essential to the full appreciation of most architectural forms . Pictures which would be insignificant if we saw ...
Pagina 284
Pure form to the detriment of representational fidelity, or representational fidelity to the detriment of pure form —both are esthetically mistaken; for both tend to suppress an essential factor of the artistic appeal.
Pure form to the detriment of representational fidelity, or representational fidelity to the detriment of pure form —both are esthetically mistaken; for both tend to suppress an essential factor of the artistic appeal.
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Sommario
VOLUNTARISTIC THEORIES O | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole