A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 17
... essential elements . Exactly these two elements are found also in art . Players follow the game of skill , spectators follow the stage play with the greatest attention , and through its various phases they are placed at the highest peak ...
... essential elements . Exactly these two elements are found also in art . Players follow the game of skill , spectators follow the stage play with the greatest attention , and through its various phases they are placed at the highest peak ...
Pagina 21
... essential feature of them is that the player has the consciousness of playing a rôle , i.e. , he imagines him- self to be something which he is not , to be doing some- thing which he does not , to be feeling something which he feels not ...
... essential feature of them is that the player has the consciousness of playing a rôle , i.e. , he imagines him- self to be something which he is not , to be doing some- thing which he does not , to be feeling something which he feels not ...
Pagina 149
... essential success . But I confess I am not prepared to hear that such a relatively permanent field of pleasure , without more ado , is the sense of beauty . " Beauty , " the author writes , " is relatively stable , or real pleasure ...
... essential success . But I confess I am not prepared to hear that such a relatively permanent field of pleasure , without more ado , is the sense of beauty . " Beauty , " the author writes , " is relatively stable , or real pleasure ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
10 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words