A Modern Book of Esthetics: An Anthology |
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Pagina 149
... memory and expectation of those varied pleasures , is certainly the ideal of young life ; even hardship or bereavement might cross such a blue sky without abolishing the steady consciousness of resource and of essential success .
... memory and expectation of those varied pleasures , is certainly the ideal of young life ; even hardship or bereavement might cross such a blue sky without abolishing the steady consciousness of resource and of essential success .
Pagina 253
That bit of knowledge , I admit , is essential to the appreciation of many great works , since many of the most moving forms ever created are in three dimensions . To see a cube or a rhomboid as a flat pattern is to lower its ...
That bit of knowledge , I admit , is essential to the appreciation of many great works , since many of the most moving forms ever created are in three dimensions . To see a cube or a rhomboid as a flat pattern is to lower its ...
Pagina 284
Pure form to the detriment of representational fidelity, or representational fidelity to the detriment of pure form —both are esthetically mistaken; for both tend to suppress an essential factor of the artistic appeal.
Pure form to the detriment of representational fidelity, or representational fidelity to the detriment of pure form —both are esthetically mistaken; for both tend to suppress an essential factor of the artistic appeal.
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole