A Modern Book of Esthetics: An Anthology |
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Pagina 200
itualized body.4 Your imagination must be an imagination of something, and if you refuse to give that something a definite structure, you pass from the esthetic semblance to the region of abstract thought.
itualized body.4 Your imagination must be an imagination of something, and if you refuse to give that something a definite structure, you pass from the esthetic semblance to the region of abstract thought.
Pagina 303
my own bodily state are entirely absent in esthetic contemplation . But perchance the sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment . This I must deny no less emphatically ...
my own bodily state are entirely absent in esthetic contemplation . But perchance the sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment . This I must deny no less emphatically ...
Pagina 482
Chandler , Albert R .: " The Esthetic Categories " in Monist , XXXI ( 1921 ) . Pp . 409-419 . ( Compare with Santayana . ) Farnell , Lewis Richard : Hedonism and Art . London , 1928 . Gilbert , Mrs. Katherine : " Santayana's Doctrine of ...
Chandler , Albert R .: " The Esthetic Categories " in Monist , XXXI ( 1921 ) . Pp . 409-419 . ( Compare with Santayana . ) Farnell , Lewis Richard : Hedonism and Art . London , 1928 . Gilbert , Mrs. Katherine : " Santayana's Doctrine of ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word