A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 277
... esthetic contemplation may be emotion- ally so much more intense when it is directed toward a " copy of Nature " such as a work of painting or sculpture , than it is when in the presence of Nature itself , from which all such art ...
... esthetic contemplation may be emotion- ally so much more intense when it is directed toward a " copy of Nature " such as a work of painting or sculpture , than it is when in the presence of Nature itself , from which all such art ...
Pagina 291
... esthetic object , for example , of the work of art , is attended to in esthetic contemplation . It alone is the “ ob- ject " of the esthetic enjoyment ; it is the only thing that stands " opposite ” me as something distinct from myself ...
... esthetic object , for example , of the work of art , is attended to in esthetic contemplation . It alone is the “ ob- ject " of the esthetic enjoyment ; it is the only thing that stands " opposite ” me as something distinct from myself ...
Pagina 292
... esthetic enjoyment , but just as certainly it is not the ground of it . Rather , the cause of esthetic enjoy- ment is ... contemplation of the beautiful object in some way vigorously active , or free , or proud . And then , I do not feel ...
... esthetic enjoyment , but just as certainly it is not the ground of it . Rather , the cause of esthetic enjoy- ment is ... contemplation of the beautiful object in some way vigorously active , or free , or proud . And then , I do not feel ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words