A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 303
An Anthology Melvin Miller Rader. my own bodily state are entirely absent in esthetic con- templation . But perchance the sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment ...
An Anthology Melvin Miller Rader. my own bodily state are entirely absent in esthetic con- templation . But perchance the sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment ...
Pagina 304
An Anthology Melvin Miller Rader. do not in any way enter into esthetic contemplation and into esthetic enjoyment . It absolutely belongs to the nature of esthetic contemplation to eliminate them . And it is the duty of scientific esthetics ...
An Anthology Melvin Miller Rader. do not in any way enter into esthetic contemplation and into esthetic enjoyment . It absolutely belongs to the nature of esthetic contemplation to eliminate them . And it is the duty of scientific esthetics ...
Pagina 313
... esthetic object its own spirit and feels itself at one with it . But in esthetic contemplation there is also a tendency towards aloofness or detachment , " the marveling unconcern of the mere spec- tator . " The importance of this ...
... esthetic object its own spirit and feels itself at one with it . But in esthetic contemplation there is also a tendency towards aloofness or detachment , " the marveling unconcern of the mere spec- tator . " The importance of this ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word