A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 277
... esthetic contemplation may be emotion- ally so much more intense when it is directed toward a " copy of Nature " such as a work of painting or sculpture , than it is when in the presence of Nature itself , from which all such art ...
... esthetic contemplation may be emotion- ally so much more intense when it is directed toward a " copy of Nature " such as a work of painting or sculpture , than it is when in the presence of Nature itself , from which all such art ...
Pagina 303
An Anthology Melvin Miller Rader. my own bodily state are entirely absent in esthetic contemplation . But perchance the sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment . This ...
An Anthology Melvin Miller Rader. my own bodily state are entirely absent in esthetic contemplation . But perchance the sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment . This ...
Pagina 304
An Anthology Melvin Miller Rader. do not in any way enter into esthetic contemplation and into esthetic enjoyment . It absolutely belongs to the nature of esthetic contemplation to eliminate them . And it is the duty of scientific esthetics ...
An Anthology Melvin Miller Rader. do not in any way enter into esthetic contemplation and into esthetic enjoyment . It absolutely belongs to the nature of esthetic contemplation to eliminate them . And it is the duty of scientific esthetics ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word