A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 3
... Esthetic Education of Man ( 1795 ) a profound theory of the identity of art and play . The source of both play and art , he thinks , is a profusion of vigor . Even when the lion is not mad or hungry , it playfully releases its surplus ...
... Esthetic Education of Man ( 1795 ) a profound theory of the identity of art and play . The source of both play and art , he thinks , is a profusion of vigor . Even when the lion is not mad or hungry , it playfully releases its surplus ...
Pagina 468
... training must , of course , have the width requisite for its end . But its design should not be complicated by the con- sideration of other ends . This professional training can only touch one side of education . Its center of gravity ...
... training must , of course , have the width requisite for its end . But its design should not be complicated by the con- sideration of other ends . This professional training can only touch one side of education . Its center of gravity ...
Pagina 469
... esthetic education ) . It is , how- ever , art in such a general sense of the term that I hardly like to call it by that name . Art is a special example . What we want is to draw out habits of esthetic apprehension . According to the ...
... esthetic education ) . It is , how- ever , art in such a general sense of the term that I hardly like to call it by that name . Art is a special example . What we want is to draw out habits of esthetic apprehension . According to the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
10 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words