A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 291
... Esthetic enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever dif- ferent in each new esthetic object - a pleasure caused by viewing the object . In this experience the esthetic object ...
... Esthetic enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever dif- ferent in each new esthetic object - a pleasure caused by viewing the object . In this experience the esthetic object ...
Pagina 292
... esthetic enjoyment , but just as certainly it is not the ground of it . Rather , the cause of esthetic enjoy- ment is myself , or the ego ; exactly the same ego that feels joyous or pleased " in view " of the object or " opposite ” it ...
... esthetic enjoyment , but just as certainly it is not the ground of it . Rather , the cause of esthetic enjoy- ment is myself , or the ego ; exactly the same ego that feels joyous or pleased " in view " of the object or " opposite ” it ...
Pagina 293
... esthetic enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object , but enjoyment of a self . It is an immediate ...
... esthetic enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object , but enjoyment of a self . It is an immediate ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words