A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 291
... Esthetic enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever dif- ferent in each new esthetic object - a pleasure caused by viewing the object . In this experience the esthetic object ...
... Esthetic enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever dif- ferent in each new esthetic object - a pleasure caused by viewing the object . In this experience the esthetic object ...
Pagina 292
... esthetic enjoyment , but just as certainly it is not the ground of it . Rather , the cause of esthetic enjoyment is myself , or the ego ; exactly the same ego that feels joyous or pleased " in view " of the object or " opposite " it ...
... esthetic enjoyment , but just as certainly it is not the ground of it . Rather , the cause of esthetic enjoyment is myself , or the ego ; exactly the same ego that feels joyous or pleased " in view " of the object or " opposite " it ...
Pagina 293
... esthetic enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object , but enjoyment of a self . It is an immediate ...
... esthetic enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object , but enjoyment of a self . It is an immediate ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word