A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 288
... object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of contemplation . The mind unconsciously enlivens the outward form by fusing into ...
... object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of contemplation . The mind unconsciously enlivens the outward form by fusing into ...
Pagina 291
... Esthetic enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever dif- ferent in each new esthetic object - a pleasure caused by viewing the object . In this experience the esthetic object ...
... Esthetic enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever dif- ferent in each new esthetic object - a pleasure caused by viewing the object . In this experience the esthetic object ...
Pagina 378
... object of esthetic feeling . We cannot eat the grapes of Apelles or embrace the Galatea of Pygmalion ; we cannot ... esthetic circle stifled , is , too , only a superficial , and , so to speak , a negative condition . The real ground of ...
... object of esthetic feeling . We cannot eat the grapes of Apelles or embrace the Galatea of Pygmalion ; we cannot ... esthetic circle stifled , is , too , only a superficial , and , so to speak , a negative condition . The real ground of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word