A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xvi
... estheticians are turning their attention to an analysis of values in general and of esthetic values in particular . They are asking themselves what is the psychological basis of values - what is the nature of the prizing or disprizing ...
... estheticians are turning their attention to an analysis of values in general and of esthetic values in particular . They are asking themselves what is the psychological basis of values - what is the nature of the prizing or disprizing ...
Pagina 229
... estheticians have disagreed as to the meaning of form . According to DEWITT PARKER ( 1885- ) , the all - embracing principle of form - its very essence and meaning — is organic unity . This consists of completeness without redundancy ...
... estheticians have disagreed as to the meaning of form . According to DEWITT PARKER ( 1885- ) , the all - embracing principle of form - its very essence and meaning — is organic unity . This consists of completeness without redundancy ...
Pagina 481
... Estheticians " in Mind , XXIX ( 1920 ) , pp . 458-471 . ( Brief discussion of Lotze , E. H. Bullough , Croce , Lipps , E. F. Carritt , and Bosanquet . ) The Beautiful . New York , 1924 . Santayana : The Sense of Beauty . New York , 1896 ...
... Estheticians " in Mind , XXIX ( 1920 ) , pp . 458-471 . ( Brief discussion of Lotze , E. H. Bullough , Croce , Lipps , E. F. Carritt , and Bosanquet . ) The Beautiful . New York , 1924 . Santayana : The Sense of Beauty . New York , 1896 ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word