A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xii
... not mean to imply that estheticians agree in adopting the term " expression of val- ues . " Other terms , usually more vague , are most often 1 employed . But despite the divergences in terminology , there xii INTRODUCTION.
... not mean to imply that estheticians agree in adopting the term " expression of val- ues . " Other terms , usually more vague , are most often 1 employed . But despite the divergences in terminology , there xii INTRODUCTION.
Pagina xvi
... estheticians are turning their attention to an analysis of values in general and of esthetic values in particular . They are asking them- selves what is the psychological basis of values - what is the nature of the prizing or disprizing ...
... estheticians are turning their attention to an analysis of values in general and of esthetic values in particular . They are asking them- selves what is the psychological basis of values - what is the nature of the prizing or disprizing ...
Pagina 466
... estheticians ; namely , that fine art consciously un- dertaken as such is peculiarly instrumental in quality . It is a device in experimentation carried on for the sake of edu- cation . It exists for the sake of a specialized use , use ...
... estheticians ; namely , that fine art consciously un- dertaken as such is peculiarly instrumental in quality . It is a device in experimentation carried on for the sake of edu- cation . It exists for the sake of a specialized use , use ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words