A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xix
... example , represents the expression of negative values rather than positive , but these values are so well expressed that the reader finds beauty in the expressiveness . This incidental creation of beauty need in no way inter- fere with ...
... example , represents the expression of negative values rather than positive , but these values are so well expressed that the reader finds beauty in the expressiveness . This incidental creation of beauty need in no way inter- fere with ...
Pagina xxviii
... example of " conscious self - decep- tion " or " valuable illusion " -as it would be for the painter who remodels the scene in his imagination so as to select or heighten its values . Perhaps the most characteristic feature of this ...
... example of " conscious self - decep- tion " or " valuable illusion " -as it would be for the painter who remodels the scene in his imagination so as to select or heighten its values . Perhaps the most characteristic feature of this ...
Pagina 55
... example , in the play - theory of Schiller and Lipps , was FRIEDRICH NIETZSCHE ( 1844-1900 ) . " What does all art do ? " he asks in the Twilight of the Gods . " Does it not praise ? Does it not glorify ? Does it not select ? Does it ...
... example , in the play - theory of Schiller and Lipps , was FRIEDRICH NIETZSCHE ( 1844-1900 ) . " What does all art do ? " he asks in the Twilight of the Gods . " Does it not praise ? Does it not glorify ? Does it not select ? Does it ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words