A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xxviii
... experience , is the creation of a pattern or form . In any consummate work of art or esthetic experience there is a remarkable coherence and interrelatedness of the parts : no detail is lacking which is requisite to the integrity and ...
... experience , is the creation of a pattern or form . In any consummate work of art or esthetic experience there is a remarkable coherence and interrelatedness of the parts : no detail is lacking which is requisite to the integrity and ...
Pagina 78
... experience appears dissociated against the background of the mind, and becomes possessed, like the phenomenal objects of outer experience, with the semblance of independent reality. The failure of impulse to pass over into action, and ...
... experience appears dissociated against the background of the mind, and becomes possessed, like the phenomenal objects of outer experience, with the semblance of independent reality. The failure of impulse to pass over into action, and ...
Pagina 447
An Anthology Melvin Miller Rader. JOHN DEWEY EXPERIENCE , NATURE AND ART Experience , with the Greeks , signified a store of practical wisdom , a fund of insights useful in conducting the ... EXPERIENCE, NATURE, AND From Experience and ...
An Anthology Melvin Miller Rader. JOHN DEWEY EXPERIENCE , NATURE AND ART Experience , with the Greeks , signified a store of practical wisdom , a fund of insights useful in conducting the ... EXPERIENCE, NATURE, AND From Experience and ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word