A Modern Book of Esthetics: An Anthology |
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Pagina xxviii
Perhaps the most characteristic feature of this imaginative reconstruction of nature , whereby it is distinguished from practical activity and ordinary perceptual experience , is the creation of a pattern or form .
Perhaps the most characteristic feature of this imaginative reconstruction of nature , whereby it is distinguished from practical activity and ordinary perceptual experience , is the creation of a pattern or form .
Pagina 78
Emerging from the flux of impression and mood, the esthetic experience appears dissociated against the background of the mind, and becomes possessed, like the phenomenal objects of outer experience, with the semblance of independent ...
Emerging from the flux of impression and mood, the esthetic experience appears dissociated against the background of the mind, and becomes possessed, like the phenomenal objects of outer experience, with the semblance of independent ...
Pagina 447
JOHN DEWEY EXPERIENCE , NATURE AND ART Experience , with the Greeks , signified a store of practical wisdom , a fund of insights useful in conducting the affairs of life . Sensation and perception were its occasion and supplied it with ...
JOHN DEWEY EXPERIENCE , NATURE AND ART Experience , with the Greeks , signified a store of practical wisdom , a fund of insights useful in conducting the affairs of life . Sensation and perception were its occasion and supplied it with ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole