A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 85
Pagina xxviii
Perhaps the most characteristic feature of this imaginative reconstruction of nature , whereby it is distinguished from practical activity and ordinary perceptual experience , is the creation of a pattern or form .
Perhaps the most characteristic feature of this imaginative reconstruction of nature , whereby it is distinguished from practical activity and ordinary perceptual experience , is the creation of a pattern or form .
Pagina 78
Emerging from the flux of impression and mood, the esthetic experience appears dissociated against the background of the mind, and becomes possessed, like the phenomenal objects of outer experience, with the semblance of independent ...
Emerging from the flux of impression and mood, the esthetic experience appears dissociated against the background of the mind, and becomes possessed, like the phenomenal objects of outer experience, with the semblance of independent ...
Pagina 447
JOHN DEWEY EXPERIENCE , NATURE AND ART Experience , with the Greeks , signified a store of practical wisdom , a fund of insights useful in conducting the affairs of life . Sensation and perception were its occasion and supplied it with ...
JOHN DEWEY EXPERIENCE , NATURE AND ART Experience , with the Greeks , signified a store of practical wisdom , a fund of insights useful in conducting the affairs of life . Sensation and perception were its occasion and supplied it with ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word