A Modern Book of Esthetics: An Anthology |
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Pagina xix
obtain a clear outward expression . Now this is to create a form which is beautiful , for the rhythmical adjustment of part to part and part to whole satisfies our craving for harmony . In order to communicate his sense of evil the ...
obtain a clear outward expression . Now this is to create a form which is beautiful , for the rhythmical adjustment of part to part and part to whole satisfies our craving for harmony . In order to communicate his sense of evil the ...
Pagina 112
the various expedients to which the expressional impulse resorts in its endeavor to enhance and relieve an emotional state, the force of this craving for expression, on the other hand, nowhere appears with such convincing clearness as ...
the various expedients to which the expressional impulse resorts in its endeavor to enhance and relieve an emotional state, the force of this craving for expression, on the other hand, nowhere appears with such convincing clearness as ...
Pagina 174
-The Breviary of Ęsthetic ( 1913 ; translated 1915 ) II Identity of Intuition and Expression . . There is a sure method of distinguishing true intuition , true representation , from that which is inferior to it : the spiritual fact from ...
-The Breviary of Ęsthetic ( 1913 ; translated 1915 ) II Identity of Intuition and Expression . . There is a sure method of distinguishing true intuition , true representation , from that which is inferior to it : the spiritual fact from ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole