A Modern Book of Esthetics: An Anthology |
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Pagina xix
obtain a clear outward expression . Now this is to create a form which is beautiful , for the rhythmical adjustment of part to part and part to whole satisfies our craving for harmony . In order to communicate his sense of evil the ...
obtain a clear outward expression . Now this is to create a form which is beautiful , for the rhythmical adjustment of part to part and part to whole satisfies our craving for harmony . In order to communicate his sense of evil the ...
Pagina 112
the various expedients to which the expressional impulse resorts in its endeavor to enhance and relieve an emotional state, the force of this craving for expression, on the other hand, nowhere appears with such convincing clearness as ...
the various expedients to which the expressional impulse resorts in its endeavor to enhance and relieve an emotional state, the force of this craving for expression, on the other hand, nowhere appears with such convincing clearness as ...
Pagina 174
-The Breviary of Esthetic ( 1913 ; translated 1915 ) II Identity of Intuition and Expression There is a sure method of distinguishing true intuition , true representation , from that which is inferior to it : the spiritual fact from the ...
-The Breviary of Esthetic ( 1913 ; translated 1915 ) II Identity of Intuition and Expression There is a sure method of distinguishing true intuition , true representation , from that which is inferior to it : the spiritual fact from the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract action activity actual appears appreciation artist balance beauty become body bring called cause character classicism color complete connection consciousness contemplation created desire direct Distance distinction effect elements emotion enjoyment esthetic existence experience expression fact feeling follow force formal give hand human idea imagination imitation important impulses individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind move movement nature necessary never object once organic ourselves painting particular perception physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result rising seems sense significance social soul speak spiritual theory things thought tion true truth understand unity whole