A Modern Book of Esthetics: An Anthology |
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Risultati 1-3 di 33
Pagina 37
... neither for its own sake nor for the sake of an external aim , but simply in
obedience to hereditary propensity ) through what is subjectively considered akin
to work , up to make - believe activity with an external aim as its second stage .
Finally ...
... neither for its own sake nor for the sake of an external aim , but simply in
obedience to hereditary propensity ) through what is subjectively considered akin
to work , up to make - believe activity with an external aim as its second stage .
Finally ...
Pagina 38
Only in this way can we explain the animal ' s restraining his fighting propensities
, beyond a certain limit , though the external aim , the subjugation of his opponent
, remains and tries hard to break through these restraints . Now , the full ...
Only in this way can we explain the animal ' s restraining his fighting propensities
, beyond a certain limit , though the external aim , the subjugation of his opponent
, remains and tries hard to break through these restraints . Now , the full ...
Pagina 181
Not only external objects , but even our own mental states , are screened from us
in their inmost , their personal aspect , in the original life they possess . When we
feel love or hatred , when we are gay or sad , is it really the feeling itself that ...
Not only external objects , but even our own mental states , are screened from us
in their inmost , their personal aspect , in the original life they possess . When we
feel love or hatred , when we are gay or sad , is it really the feeling itself that ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
Copyright | |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole