A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 160
... fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which fills all with a divine joy , is supremely real ; thus it cannot be a physical ...
... fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which fills all with a divine joy , is supremely real ; thus it cannot be a physical ...
Pagina 174
... fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural ...
... fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural ...
Pagina 347
... fact . Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a different aspect . So different are these aspects that they scarcely have a common nucleus . The difference between what the fact is for ...
... fact . Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a different aspect . So different are these aspects that they scarcely have a common nucleus . The difference between what the fact is for ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word