A Modern Book of Esthetics: An Anthology |
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Pagina 97
We might even say that it includes the whole of esthetics , which is in fact the question of personality in art . . . . Truth and personality : these are the alpha and omega of art formulas ; truth as to facts , and the personality of ...
We might even say that it includes the whole of esthetics , which is in fact the question of personality in art . . . . Truth and personality : these are the alpha and omega of art formulas ; truth as to facts , and the personality of ...
Pagina 174
-The Breviary of Esthetic ( 1913 ; translated 1915 ) II Identity of Intuition and Expression There is a sure method of distinguishing true intuition , true representation , from that which is inferior to it : the spiritual fact from the ...
-The Breviary of Esthetic ( 1913 ; translated 1915 ) II Identity of Intuition and Expression There is a sure method of distinguishing true intuition , true representation , from that which is inferior to it : the spiritual fact from the ...
Pagina 347
The wife , the doctor , the newspaper reporter , and the painter are witnessing the very same fact . Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a different aspect .
The wife , the doctor , the newspaper reporter , and the painter are witnessing the very same fact . Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a different aspect .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word