A Modern Book of Esthetics: An Anthology |
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Pagina 49
We have found such a connection in the feeling of being a cause without going into the nature of these psychic adjuncts of make - believe . This is now the place for such an inquiry . I have throughout this whole treatise spoken not of ...
We have found such a connection in the feeling of being a cause without going into the nature of these psychic adjuncts of make - believe . This is now the place for such an inquiry . I have throughout this whole treatise spoken not of ...
Pagina 112
A feeling which distorts the body by its efforts to find relief, which is not satisfied with the wild cries, the dances, and all the madness of the Bacchic intoxication, must in its abnormal exaggeration be perceived as a pain.
A feeling which distorts the body by its efforts to find relief, which is not satisfied with the wild cries, the dances, and all the madness of the Bacchic intoxication, must in its abnormal exaggeration be perceived as a pain.
Pagina 200
And it is the same question as that stated in other words, how a feeling can be got into an object. This is the central problem of the esthetic attitude; and, as we have seen, the best material for solving it for us who are not great ...
And it is the same question as that stated in other words, how a feeling can be got into an object. This is the central problem of the esthetic attitude; and, as we have seen, the best material for solving it for us who are not great ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole