A Modern Book of Esthetics: An Anthology |
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Pagina 49
We have found such a connection in the feeling of being a cause without going into the nature of these psychic adjuncts of make - believe . This is now the place for such an inquiry . I have throughout this whole treatise spoken not of ...
We have found such a connection in the feeling of being a cause without going into the nature of these psychic adjuncts of make - believe . This is now the place for such an inquiry . I have throughout this whole treatise spoken not of ...
Pagina 112
A feeling which distorts the body by its efforts to find relief, which is not satisfied with the wild cries, the dances, and all the madness of the Bacchic intoxication, must in its abnormal exaggeration be perceived as a pain.
A feeling which distorts the body by its efforts to find relief, which is not satisfied with the wild cries, the dances, and all the madness of the Bacchic intoxication, must in its abnormal exaggeration be perceived as a pain.
Pagina 200
And it is the same question as that stated in other words, how a feeling can be got into an object. This is the central problem of the esthetic attitude; and, as we have seen, the best material for solving it for us who are not great ...
And it is the same question as that stated in other words, how a feeling can be got into an object. This is the central problem of the esthetic attitude; and, as we have seen, the best material for solving it for us who are not great ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word