A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 93
Pagina 49
... feeling of pleasure arising from the consciousness of being a cause and cul- minating in the feeling of freedom . . . . The conscious- ness of the obscured real ego that has produced 15 the whole illusion , and so created a free world ...
... feeling of pleasure arising from the consciousness of being a cause and cul- minating in the feeling of freedom . . . . The conscious- ness of the obscured real ego that has produced 15 the whole illusion , and so created a free world ...
Pagina 101
... feeling of admiration , devotion , fear , respect or love to certain objects , persons , or phenomena , and others are infected by the same feelings of admiration , devotion , fear , respect , or love to the same objects , persons , and ...
... feeling of admiration , devotion , fear , respect or love to certain objects , persons , or phenomena , and others are infected by the same feelings of admiration , devotion , fear , respect , or love to the same objects , persons , and ...
Pagina 222
... feeling . For even when we approach our feeling without reflection , we cannot help trying to complete ourselves by thought . By reversing the natural order of this process of completion , we make judgment spring from feeling . The ...
... feeling . For even when we approach our feeling without reflection , we cannot help trying to complete ourselves by thought . By reversing the natural order of this process of completion , we make judgment spring from feeling . The ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words