A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 17
... follow the game of skill , spectators follow the stage play with the greatest attention , and through its various phases they are placed at the highest peak of expectation . Since the con- cepts attention and expectation are variously ...
... follow the game of skill , spectators follow the stage play with the greatest attention , and through its various phases they are placed at the highest peak of expectation . Since the con- cepts attention and expectation are variously ...
Pagina 168
... follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with a full consciousness that such stuff is not art . Such instances are of the nature of ...
... follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with a full consciousness that such stuff is not art . Such instances are of the nature of ...
Pagina 266
... follow and , as the notes follow one another , they more or less adequately fulfill our expectation , i.e. , from the beginning the idea of a formal design or scheme is impressed on our minds , and anything which departed violently from ...
... follow and , as the notes follow one another , they more or less adequately fulfill our expectation , i.e. , from the beginning the idea of a formal design or scheme is impressed on our minds , and anything which departed violently from ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word