A Modern Book of Esthetics: An Anthology |
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Pagina 46
Being denied metaphysical ideals , he directs his whole ethical force to the realm of beauty , and feels that in virtue of his art he is a priest of humanity , whose honor is intrusted to his ...
Being denied metaphysical ideals , he directs his whole ethical force to the realm of beauty , and feels that in virtue of his art he is a priest of humanity , whose honor is intrusted to his ...
Pagina 327
By mere force of generalization , a general truth or a universal ideal is so far distanced from myself that I fail to realize it concretely at all , or , when I do so , I can realize it only as ...
By mere force of generalization , a general truth or a universal ideal is so far distanced from myself that I fail to realize it concretely at all , or , when I do so , I can realize it only as ...
Pagina 336
Provided the Distance is not too wide , the result of its intervention has everywhere been to enhance the art - character of such works and to lower their original ethical and social force of appeal . Thus in the central dome of the ...
Provided the Distance is not too wide , the result of its intervention has everywhere been to enhance the art - character of such works and to lower their original ethical and social force of appeal . Thus in the central dome of the ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word