A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 46
... force to the realm of beauty , and feels that in virtue of his art he is a priest of humanity , whose honor is ... forces . On the animal side of his nature , the sensuous , he is restrained by Nature's laws , while reason forces him to ...
... force to the realm of beauty , and feels that in virtue of his art he is a priest of humanity , whose honor is ... forces . On the animal side of his nature , the sensuous , he is restrained by Nature's laws , while reason forces him to ...
Pagina 274
... forces is rigorously altered or suppressed . Even the ornamentation of the jerkin is made of squares and right angles above and diagonal folds below , as though to force the eye into picking up that notion . Thanks to the lion's - head ...
... forces is rigorously altered or suppressed . Even the ornamentation of the jerkin is made of squares and right angles above and diagonal folds below , as though to force the eye into picking up that notion . Thanks to the lion's - head ...
Pagina 336
... force of appeal . Thus in the central dome of the Church ( Sta Maria dei Miracoli ) at Saronno are depicted the heavenly hosts in ascending tiers , crowned by the benevolent figure of the Divine Father , bending from the window of ...
... force of appeal . Thus in the central dome of the Church ( Sta Maria dei Miracoli ) at Saronno are depicted the heavenly hosts in ascending tiers , crowned by the benevolent figure of the Divine Father , bending from the window of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words